Obligation, Complication, Routines and schedules

I need to blog more often throughout the week so that the “things I want to blog about” don’t snowball up into one massive blog entry that resembles a tree with branches spurting out all over the place, rather than a more sightly lone autumn leaf that people like to pay strange amounts of attention to. See? There is so much crap that has accumulated in a week’s time that my very first sentence alone is far too long and disturbing. Okay.

I want to know – how much do “normal people” let things get to them? How much empathy are most people capable of, especially when it comes to books, movies and music? I haven’t done much in the past week, except I feel like I’ve been on an intense emotional rollercoaster, and I’m not too sure whether I enjoy this or not. And the root of all this spawns off into many, many tangents.

 

Taken on Ilford HP5 Plus 400 B/W film; Nikon F3. A photo I had used in the exhibition.

For one, the reason I asked the questions above is because I’m one of those people who cry at movies, TV, music, books, you name it. Even a single, beautifully written line can get my tear ducts working on overdrive. I have this unfortunate (I feel, for the most part) ability to perceive, then receive and feel everything on such a personal, realistic level. I’d taken the last couple of days off reading, but ever since starting it last week, I have been disappearing into Ayn Rand’s novel The Fountainhead (just over halfway through it now). I read a particularly painful part of the novel at the boy’s house, and tears started pouring down my face. I felt bad and embarrassed because it’s an odd predicament isn’t it – to have someone crying over a book you gave them – but oh heck, he deals with worse from me. Then I told him this is exactly what I mean by things getting to me. I wish I didn’t feel and care so goddamn much about everything; I hate how everything has the ability to seep right through my rough and tough exterior and pluck and snap at my heartstrings. Felisa (who no longer blogs publicly, I think) and I have discussed how it’s almost like a writer or artist’s complex – that we notice things that other people might merely glance at, and actually register such things. Because we then go on to recreate them. My therapist said I need to stop owning everyone else’s feelings and my mother said maybe I should go into acting.

On the flip side, I can be a totally detached and hardened person. I can force myself to feel an empty hollowness, rather than invest any personal interest or reaction to something. It’s probably better in terms of a “public self”, but do I really want to feel empty and hollow and react to nothing?

Also, this is the playlist I slept and read to for a couple of days in a row. Favourite track from The King of Limbs mixed in with a bunch of Tricky. There is something painfully sexy about it all. And it proved to be a great sober-driving-at-3am-playlist, after a Friday night spent dancing my legs off to music I wouldn’t ever listen to outside of a club. Many people find it surprising that I dance. Sober, even. It’s liberating and I feel kind of powerful. Not because I had seven pairs of eyes glued to me (none of which I was interested in), but because it made no difference to me whether there were any at all. It’s the same feeling I get even when I’m just doing normal things during normal hours, and rather reminds me of Marina having said that she magically attracts men even when she’s not trying. It is the power in that innocence, precisely; yet not at all, and so much more all at the same time.

I think I might have to blog about it later rather than squish it into this post, but I have a 40-minute appointment with the HOD of Jazz on Tuesday. We’re all scheduled in for a 10 minute chat each, mostly about the changes to the Bachelor of Music degree structure that will be implemented next year, but I have broader issues to discuss in terms of what I’m going to enroll in… such a complicated and delicate issue that will potentially affect my future more than it will affect any other jazz students. Urgh.

 

Don’t you see your dreams lie right in the palm of your hand

If this blog is anything to go by, I have seemingly disappeared off the face of the earth for a couple of weeks – just as I had predicted. I ended up having a splendid birthday, albeit a couple of bumps and hurdles I had to deal with on the day, and I had fun at the party too. The last huge, ginormous challenge that lies between me and semester break is my repertoire jury on Tuesday. I’ve been sitting at the computer trying to figure out how to write the score for my arrangements, because one of them is really complicated with complex cross-rhythms that change back and forth, ahhhh. So instead I’m seeking refuge in my blog again. And I have to admit now that earlier today I also wasted three straight hours watching the Stanley Cup Finals. Three hours. It was awesome until the Canucks came back from behind to go into OT and then managed to score in 11 seconds. ELEVEN SECONDS, PEOPLE. Sometimes Mister Thomas should just stop being such an aggressive goalie and should just keep his post. Anyway, the only reason I said I “wasted” three hours rather than “spent” three hours is because the Bruins lost. Had they won like they ought to have, I would be a much happier chappy right now.

Yesterday, unlike most AU students who spent their Saturday at home chilling, studying, or pretending to study (and actually chilling), I spent it at uni arranging – with eternally grateful amounts of thanks to my pianist and drummer – and rehearsing instead. And then fell asleep immediately after dinner. So needless to say, when it came to a normal person’s “bedtime”, I wasn’t sleepy at all. I ended up spending all night browsing crap online and listened to Vanessa Carlton, Michelle Branch and Norah Jones on Youtube whilst Wikipedia-ing their biographies.

I know I probably come off as a music snob too often, but I’m now going to bare my 13-year-old self. I also think that in a couple of days’ time when I’m finally on semester break that I’ll resume my writing project that I had started last year, working title: Songs and the People They Belong To. I’ve never posted it here, but maybe eventually I will. I had started it at the lowest point in my year last year, but then decided it was probably too raw and honest to ever see the light of day without heavy editing. And now I think I’ve changed my mind about it for the billionth time. I don’t know. Because the concept is a recurring theme in my life. You know when certain songs and even bands attach themselves to certain memories – to a phase in your life, a certain feeling, certain people – in such a way that they almost seem to “belong” to someone. I just can’t listen to things without feelings being drawn upon, except I guess a lot of things have numbed over the years, either through time or the sheer force of my will, or both.

So back to this “13-year-old-self” business. When I was 13, 14 ish, I was convinced I was completely and utterly in love with someone. Actually, to this day I sort of, rather jokingly, refer to him as the “first love of my life”, because I do believe that people have several “love of their life”s throughout different periods of their lifetime. And because I lived really, really far away from him, he (believe it or not, it wasn’t me!) came up with how Vanessa Carlton’s “A Thousand Miles” would be “our song”. So when I went on youtube last night, it was the one song I had no interest in hearing, much. I didn’t want to think about being 13, plus I knew the song faaaar too well. But what I didn’t know was that Carlton was training to be a ballerina and in fact almost turned professional.

Anyway, I just wanted to post a couple of songs…

I will never hear this song in an unbiased way, and will always remember the countless people who liked to play this song on the pianos in the music department back at college:

Seeing her dance in this video makes me really miss doing ballet, and reminds me of how for the last couple of years out of the decade plus that I had danced, I only did it in the hopes that I could move on to doing lyrical dancing. How that never happened… heh.

I really like the lyrics of the first two lines of this song. I don’t know why. There are far better songs out there, but I just like the circular feeling of this song. What’s with me and “circular” songs? There’s this, and Blonde Redhead’s “23”, Metronomy’s “On Dancefloors”, etc…

Run to your house, undo the chains… I woke up wanting you

The exhibition opens tomorrow and I’m excited, despite being in the opposite hemisphere! These three photos makes up one of my collective pieces that I’m showing and is called Accomplice (accompanying text below). The lines in the sides of the frames are from the inaccuracies of using double exposure, but I like the authentic affect it has, so I’ve kept them as is.

All taken on Ilford HP5 Plus 400 B/W film; Nikon F3
“Our family cat has been everyone’s best friend and worst enemy. The best feet heater and the worst alarm clock. The best food recycling system and the worst mess. Much like me.

Dedicated to my sister Liv, as Flakeypoo (that’s not his real name, but I call him all sorts of endearing things, I promise, it sounds better than it reads!) is actually her cat, but he’s become my most dependable friend and heater as of late. The boyfriend ought to pay him with chin tickles and treats for filling in on his job! He’s exactly what I want sleeping on my duvet – and sometimes under, as it’s getting colder now – to keep my feet warm, or to cuddle whilst trying to fall asleep to his soothing purrs. Honestly, I wouldn’t know what I’d do without our cat. Even though he wakes me up for a feed at 5am, which is unfortunately often barely an hour or two after I’ve managed to fall asleep, I still love him unconditionally. I thought it was funny the other night when the boy was over and Flakes was niggling at my feet, my response was, “I feed you, I sleep with you, I’m good to you, what more do you want from me?!” Irony.

What I want more of though, is time. I want to stop thinking about and basing my days on the time I don’t have to do things, time I don’t have to spend with people, time I don’t have to be alone and just mull over ideas and be a little creative.

In 21 days (or less, I don’t know the precise day my last assessment is), I will have completed half of my Bachelor of Music degree. It’s very exciting yet daunting at the same time, because then I will have to find some kind of temporary answer to the age old question of “what on earth are you going to do with that?!” Disheartening, yes, a little… maybe a lot. I found out this week that a friend of mine who’s a couple of years above me at jazz school currently doing her Honours course has just been accepted into Le Cordon Bleu. And yes, that’s the incredibly famous culinary school in Paris that was in the movie Julie & Julia. The main reason that this news struck a chord with me (oh haha lame pun, I swear I wrote it and then realised afterwards!) is because she also happens to be an asian female bass player, and we’ve known each other since college so often end up discussing the whole “upbringing vs futures” type thing.

I have a couple of non-jazz post-grad options that’s been swirling in my head since last year, but a lot can happen in a year and a half, so I’m excited yet anxious to see what happens in the next half of my degree, and what I’ll end up doing. I feel the northern hemisphere calling, and I honestly can’t wait to travel again in general. The thing is, I hate the idea of telling people what I might like to do in future, so I almost never tell… I hate the possibility of changing my mind completely, or flunking out of a path once desired.

All the jazzy musical intricacies aside, one of, if not the greatest challenge I have to face on a daily basis is to not panic. It’s the one skill that I keep being let down by, and have to work on constantly. I panic, then I blank, and everything I knew and practised just completely disappears. The upside to this improvisation-related panic is that I don’t get concerned about being put on the spot with difficult/awkward questions or situations. Admittedly, I’ve always been one of those “good on the spot” people (at least, until jazz school), but I’ve been waaay calmer and think a lot faster, deeper and creatively these days, because, heck, at least in normal situations, I don’t have to give a musical response!

So I’ve got to put this question out there – what did you study (or what are you studying), is it relevant to your job/career path now, and are things panning out how you had planned or did you kind of just wing it and waited to see what doors would open?

Something nice to round the evening off with – a playlist I threw together last night to doze to:

Also, this is possibly my last entry as a teenager. I turn 20 on Monday but I’m completely swamped this weekend, and will also be spending around 13 hours of my birthday at university. Yikes. And some very relevant words:

“The first step — especially for young people with energy and drive and talent, but not money — the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.” – Chuck Palahniuk

Baby says, if ever you see skin as fair, Or eyes as deep and as black as mine, I know you’re lying

One assessment down. Eight to go. I think. Maybe I left something out when I counted…

I thought I’d post a photo from one of the longest and happiest days of my life (San Francisco, November 9th 2010), seeing as I’m trying to be optimistic about everything at the moment.

In the next month I will become so sleep deprived, stressed out and high strung that ferry rides will be my bedtime and my fingers will bleed. Welcome to assessment month hell at jazz school – a.k.a. the last month of semester. My face will start breaking out in pimples, emulating aethestically what will be the chaos of my life. Generally, I never ever get pimples, except when I am SUPER stressed out. I don’t mean to brag (I count myself lucky and thank my mother’s genes, to be honest), but I have such nice skin that one pimple is a cataclysmic event, let alone during assessment time when I get up to three. This is too much gross detail, but with me, pimples generally never form or “ripen”, as some people like to call it. They just stay under the surface and hurt like a bitch.

Basically, life is extremely stressful at the moment, and I really really need to step it up and average out my general performance standards at a higher level. It’s so ironic in many ways that I’ve stopped caring about my grades since I got to university. I used to be the sort of person that will get B’s for not trying, and A’s for pretending to give a shit, or the classes that I enjoy, and that was perfectly fine with me. More than fine, it was bloody swell. I always felt like I always got at least 10% more than I deserved, considering I had never done any actual “studying” in my life, to be perfectly honest. But jazz school is a completely different ball game. It’s not academic in any such way, so none of this being “naturally bright” business bullshit comes into play. To a large extent, it is down to commitment, and time spent, but really, it’s about a whole lot of heart.

I finally received my feedback for the jazz combo recital from the end of last term, and the identical raw mark from both assessors on the panel that night had no bearing on my feelings at all. However, I was thoroughly pleased with the fact that their comments precisely reflected my thoughts on how I played that night. The things they thought I did well, and the things they pointed out that needs improvement were all in agreement with how I felt, so that’s really the biggest thing for me. I no longer care about the ABC’s and care mostly about my growth not just as a musician, but as a person. I mean, for gods sake I got something below a B for the first time in my life when I got to university! Nerves, freezing up and mind blanking have been some of my top enemies, and it all comes down to confidence, so I’m trying to work on that.

It’s funny thinking back on all the employers I’ve spoken to in the past who have said that they would happily employ a music graduate for a non music-related job. I remember most distinctly a barrister I had met, with whom I was discussing how I had gone about the most painful decision of my life – choosing jazz school over law school. After chatting for a good half hour, he told me that he thought I would have made an excellent lawyer had I chosen to pursue it; but also that he can see why I didn’t, and the fact that I hold the possibilities of so much more. And I think it’s this obsession with there is something more, there’s got to be more to life, there’s got to be more to me, more to be discovered, more to be devoured, more to be enjoyed, more to be read, seen, photographed, written, learnt, heard, felt, touched, loved – MORE! that ultimately drives me in the supposedly “unconventional” and “creative” realms that I enjoy so much to delve in. I don’t think it’s enough for me to simply aim for a decent paying job, end up with a nice husband, bright children and then repeat the cycle. No. Yes, I want all that, but I also want so much MORE. Having said that, it is terribly hard for me to let go of the “black-clad powerhouse woman of a lawyer with a disposable income, too little time and the world at her fingertips”-type image that I’d spent a large majority of the past decade aiming for. But also having said that, at the same time, I also harboured dreams of being a performer. I still haven’t figured out quite yet the precise sort of perfomer I’d like to be, but I think that there is merit in all forms. And in a larger, more abstract sense of the word, I also don’t think that you have to be physically doing something like playing music, dancing or acting to be “performing” – I like to think that there are such things as literary performances, which is the accumulation of those dashing, inspired moments transcribed into text on paper, rather than in the form of something you sit down to watch or listen to… which ultimately is what a musical/theatrical/dance performace also is: an “accumulation of those dashing, inspired moments”, except executed in a single setting, so to speak.

Anyway, before I ran off on a tangent, the point I was leading to about employers was the list of “qualities” that music graduates supposedly have, or will have achieved. These include all sorts of cheesy, typical-sounding adjectives which you can think of. And I admit, I’d always thought it a little over-repeated for the sake of encouraging young people to pursue a wide range of Bachelor degrees other than the “normal”, “conventional” or “money making” ones that usually come to mind; but funnily enough, these days I think I’m really starting to “get it”. I’m suffering such a bad case of low motivation and general difficulty with “getting on with it”, and I think that’s because in many ways, this music degree is actually indirectly designed to make me a better person – and that is what I’m struggling with. It’s not the actual coursework that I’m struggling with as such (although yes, it’s intense, and yes it’s difficult), but what it takes to do well in this course. You have to be so internally motivated, fight through intellectual, creative, physical and personal barriers just to get through your workload, let alone get good at it. It’s much easier for me to curl up in bed with a text book to cram for a test with, than it is for me to want to stand for hours on end and play until my blistering fingertips really can’t handle anymore bass playing. You have to want to and then make yourself go the extra mile all the time. Also, seeing as I’m self-professed not very obsessed with jazz – yes, I love it, but sometimes I just can’t conjure up the mental capacity for it, even to listen to it – it’s doubly hard for me to want to sit back, and spend hours listening to jazz recordings. By that, I don’t mean put it on and chill out, but I mean to sit there and fully pay attention to it. Over and over. Listening to all the different parts. Not just the chords, but the chord voicings, then the voicings over the particular note choices in the bass line, and the voicings used by another chordal instrument, what the soloist is playing, how they’re playing, their rhythm, time, placement, note choices, chords they outline, chords they imply, time they imply, feel, the groove of the swing… Oh by now my head just wants to burst!

My so-last-minute-I-should-get-shot transcription assessment went well today. Transcribed 64 bars of Hank Mobley’s solo on Someday My Prince Will Come and had to perform to the recording. Apparently my written transcription was pretty accurate, which surprised me. It was so hard to write out something when he plays so darn behind the beat.

Here’s a super lovely track by an amazingly sweet and talent vocalise, Rosa Passos with the legendary Ron Carter:

Stuck inside my imagination, Busy making something from nothing. Pictures of hope and depression, Anything is better than nothing

It’s been a mind-and-history-delving, poetic-reading and inspired-writing couple of days. The highs and lows are hitting me in waves, waves and waves like nothing before, but it’s been interesting to see how I’ve grown up and changed in the way that I’ve been dealing with everything. Asides from an intense hockey training tonight that kicked up with a huge run around the block (man, that block seems so much smaller when driving!), everything I’ve done for the past few days hasn’t really taken much physical effort. Oh yeah, I forgot that two days ago I trekked my way into uni in the stormy weather to have a kind-of rehearsal – but because of yesterday’s events, the day before feels like a month ago by now.

Three albums that have been on repeat for the day:

New Moon – Elliott Smith

A posthumous release, I had never really paid much attention to it until recently. But tonight,  the songs between “High Times” and “Going Nowhere” are really striking a chord with me. Pun unintended. For me, Elliott Smith’s music is largely about the mood and lyrics, since majority of songs aren’t instrumentally or musically complex at all. I mean, sonically, only “Everything Means Nothing To Me” (one of my favourites, ever – definitely worth a listen) from his Figure 8 album really really stands out, because it’s in an epic key on the piano, full of black notes.

Raven In The Grave – The Raveonettes

The Raveonettes is one of my favourite bands, and this is their latest album. My favourite is Lust Lust Lust, but that has its time and place, and is a whole other bittersweet story altogether. Point is, I don’t care what Pitchfork or whoever else says, this is a great album. Not a life-changing release that’s about to influence me and leave the same imprint as Lust Lust Lust did, for sure, but it’s enjoyable nonetheless. They just do concepts, atmosphere and nostalgia so fucking well. And I’m all about atmosphere and nostalgia. Oh nostalgia! Take me back, when…

23 – Blonde Redhead

Even though they’ve been around for years and years and years (in other words, they first released something when I was aged 2), I’ve only started listening to them recently. So it’s a huge testament to say that now they’re my 6th top band on lastfm, which I’ve been scrobbling on since late 2006 albeit with a couple of years off in the middle. They’re just amazing and so far I’ve haven’t ceased discovering something new in the many layers of their music, every time I listen. In a way, I think that I look up to the Italian Pace – brothers who make up 2/3 of the band – because of their “backgrounds in jazz”. According to various interviews and web-sources, they seem to have Bachelor degrees in jazz, so it’s refreshing to see jazz graduates moving on and making such beautiful yet relatable music that isn’t jazz. They would be around the same age as my tutors at jazz school, and I can’t help but hope that their paths is the one I take. I mean, jazz is wonderful, but I just don’t have the same passion for it next to some of my fellow students. I’m kind of in the middle-ground actually. There are those that are wholeheartedly intent on making jazz waves and they live, eat and breathe jazz; then there are others who are purely doing it for a music performance degree, and don’t even enjoy jazz. And really, I’m in the middle of the two. I enjoy it, but it’s not my #1-always-all-the-time thing. Music in general is. Anyway, wild tangent aside, I love this album.

Something I wrote two nights ago in a frenzy. Always in a frenzy:

Lines­ on my face
this clear trail you can claim to
Scars in my chest
these years you’ve been through.
So much easier now that she speaks
and you’re not listening
So much harder now that you talk
and she’s not hearing.
Uneasy questions on my face
you can’t respond to
Wounds in in the harshest place
those nights you’ve lived through.
Haunted by the spark I blew
The one true part I claim of you
Realisation in your eyes –
to truth.
I weep.
If I walked once so easily
What makes you trust and stick with me?
If I walked once so easily
What makes you trust and stick with me?

My copy of John Green’s Looking for Alaska just arrived today so I think I might tuck into bed with it now. Although I’m partway through The Great Gatsby, I think Fitzgerald can wait. Just a little while. And for now, some relevant, such relevant… food for thought (it makes more sense and is even more relevant in private, but I can’t go scrawling such internal ancient matters on the internet):

“The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.” – Elizabeth Kubler Ros

By that definition, who are the beautiful people you know?

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